Because it's still Christmas:
(grateful acknowledgment to the editors of First Things, where this poem first appeared in print)Christmas Day in the Morning
My lady takes the pins from her hair,Lets the heavy plaits fall. The sweaty nurse,Half-asleep in the corner, hides her faceFrom a white streak of sunlight on the floor.As it should, the day breaks clearAnd hard. The basin-water's turned to ice.In the courtyard, a clamor of geese,Dogs quarreling underfoot, and everywhere
The blind cold, the dumbstruck wind.In the crib, the staring child. My lady goesOn working the hard comb through her hair.Bells crack apart the brittle air,Shake the walls, shake the saints, their flat haloes,The painted Christ, cold lilies in His hand.
And for tomorrow:
New Year's Day
We woke late, to a brittle, ice-gray light.Between us the baby stirred, fluttered an eye,Slept on. Clouds passed the window: dim, then bright.In the street outside, a girl cried, Michael, IHate you, hate you. For Christ's sake, turn around.Heels ticked past. There was no other sound.
Here we are, I said. Another yearGone. You said, Another year begun.We kissed, parted. Over us hung a clearSilence, transitory as the sun.
Read the rest of this week's Poetry Friday offerings here.
PS: Janet notes that the first poem makes a kind of counterpoint to Carl Sandburg's "Four Preludes on Playthings of the Wind," which I confess that I'd forgotten all about and didn't have in my mind when I wrote the poem, so the crossover is kind of uncanny. I actually started that poem in the student union at the University of Utah, listening to Respighi's "Ancient Airs and Dances" on the piped-in radio. That's what happens when I try to write an "Ancient Air and Dance" -- cold air.

6 comments:
That first is a lovely contrast to Four Preludes to Playthings of the Wind.
AMDG
The more I think about it, the more perfectly they go together.
AMDG
Another year gone/another year begun...it's all how you look at it, eh?
(PS -- BRRRRRrrrrrr!!!)
Half-empty/half-full -- in real life, my husband frequently is the "half-full" person who buoys me up when I get panicky.
And the tone's pretty apt for the current weather: today we've got cold and fog. Time to write a cold and foggy poem!
And Janet, yes, that first section really does make me feel that I've plagiarized, though his hair-combing woman's a lot more metaphorically *identified* -- or, well, she is more clearly a metaphor and not a real woman in a real life (though she is a metaphor made flesh . . . so to speak . . . )
I really love the second one. The first is good, too, and the Four Preludes parallel is apt. I've cherished a fondness for the FP since high school.
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